Faces tell stories that words never will.

I draw them.

One at a time.

Portraits drawn by hand in ink and acrylic.

Vol. iv · sketchbook
Delhi / Mumbai · 2025–26
Ink artwork by Vikas Kumar (piece-03).Piece 03from the sketchbook · Plate 01 / 09
02

Artworks

03

Collections

Every face ends up somewhere. These are the drawers they fell into.

pattern

Pattern Portraits

14 piecesSee all

The face sits still. The background doesn’t. Stripes, florals, geometry; each one a conversation with the person in front of it.

04

About

The artist in his studio, looking through a sketchbook.
About

I'm Vikas. I draw faces.

Sometimes a matchbox, a door, or a bike gets a page too, but it always comes back to faces.

Not for a living — for the living. Every face I come across carries something worth keeping, and I need to get it on paper before the moment passes.

I work mostly in ink, sometimes acrylic, occasionally watercolour — whatever the drawing asks for. I'm based in Bangalore, but my sketchbook travels with me everywhere. A café, a train, a waiting room — anywhere something catches my eye.

This website is my sketchbook, open for everyone. No algorithms, no feeds — just the work. Flip through, stay as long as you want, and if something speaks to you, say hello.

Tools
InkAcrylicWatercolourPaperPatience
Based in
Bangalore
Custom portraits
Yes — get in touch
Shipping
Globally
05

Process

  1. 1

    Find the face.

    It starts with a photograph. Sometimes on a phone, sometimes a laptop, sometimes a print I can't stop looking at. The face has to ask to be drawn. If it doesn't, I scroll past. If it does, I clear the table.

  2. 2

    Start ugly.

    The first twenty minutes look like nothing. Rough boundaries, stray lines, shapes that don't belong to anyone yet. Every portrait begins as a mess. I've learned to trust the mess. Somewhere around the halfway mark, a face starts showing up.

  3. 3

    Stay until it's done.

    I don't leave a portrait unfinished. Once I sit down, I stay. Three hours, six hours, however long the face needs. Music helps. Classical, qawwali, hip-hop, rock, whatever the drawing asks for. Patience is the only skill that actually matters.

06

The Kit

Staedtler Pigment LinerThe daily workhorse. Always two in the bag, never one.
Sailor Fude De MannenFor the thick-to-thin strokes. The nib does half the thinking.
Staedtler Triplus FinelinerFor details, cross-hatching, and the quiet lines.
Artistro WatercolourA small travel set. For when ink alone won't say it.
Daler Rowney AcrylicWhen a portrait needs body. Used sparingly, always with intent.
Reading glasses+1.25 · Only for the close work.
Fabriano Sketchbook200 and 300 GSM. The paper matters as much as the ink.
HeadphonesFor the long sessions. The studio is quiet, but the work needs rhythm.
07

The Pinboard

Telecaster
Telecaster
Brick wall
Brick wall
RWB 911
RWB 911

Less, but better. Dieter Rams

The job of the artist is always to deepen the mystery. Francis Bacon

Well, you wore out your welcome with random precision
Rode on the steel breeze
Come on, you raver, you seer of visions
Come on, you painter, you piper, you prisoner, and shine— Shine On You Crazy Diamond

ADMIT ONEPast LivesPVR · Tue 8:30 PM—— Row J, seat 14 ——
BEST · CONDUCTOR₹ 15Andheri → Bandra
Upcoming work
  • Doors of India — new series
  • Texture play — layered acrylic & ink
Jim Morrison · The Doors
now playing
08

Colour Recipes

#C2186C

The Magenta

  1. 2 parts magenta gouache
  2. 1 part lamp black
  3. a drop of water, no more

For the shawl in 'Magenta.' Mixed in a saucer the day of the sitting.

#0D0D0D

Studio black

  1. sumi ink, Kuretake
  2. a thumb-tip of Sennelier indigo
  3. rinse-water, two parts

The everyday ink. Used on most of the portraits since 2023.

#C83A30

Bindi red

  1. 3 parts vermilion
  2. 1 part cadmium red, deep
  3. pinpoint of lamp black

For bindis, vermilion alone is too thin. The black settles it.

#B89154

Brass jewellery

  1. yellow ochre, 2 parts
  2. raw sienna, 1 part
  3. a hint of viridian

For nose rings, bangles, the gold edge of saris. Always two layers.

#6A7A85

Sky in Mumbai

  1. Payne's grey, 3 parts
  2. ultramarine, 1 part
  3. a thread of yellow ochre
  4. water, until it sits flat

Less blue than you think. Most days the sky here is the colour of paper.

#8B7D68

Paper shadow

  1. burnt umber
  2. a wash of Payne's grey
  3. a lot of water

The shadow under a sketchbook lying on a table. Used in flat-lays.

09

The Passport

KarnatakaHome ground · Bangalore studios & café sketches
DelhiWhere the first exhibitions happened
GoaSun, colour, and faces that don't rush
HimachalMountain light · different shadows entirely
KeralaBackwaters and temple faces
JharkhandTribal portraits · the most honest sittings
BengalKolkata streets · ink dries different in the humidity

Each stamp a place. Each place, a face. Each face, a sitting that mattered.

Say hello

Commission a portrait · Buy an original · Meet for coffee & ideas

Postcard · from Vikas

I love talking about art and design, and the stories behind faces. A custom portrait, a piece from the sketchbook, or just a conversation about ink.

— VikasBangalore
ships worldwide
To — whoever's reading this

A napkin on the studio table · just for you · nothing is sent

leave a scribble
draw here

Currentlyworking on the Doors of India series

One face. One sitting. One story saved.
Trying to get to as many as I can.

This sketchbook belongs to Art of Vikas.

© 2026·Drawn by hand, built with code·Pages left: